WELCOME TO MY WORLD
ensured a teen undergoing chemotherapy treatments would have an incredible in the season two premiere of his series Will From Home.
The 52-year-old actor was joined by his friend Jason Derulo, 31, to lighten up the mood of Aiden, a 14-year-old who was diagnosed with cancer in April.
While chatting virtually with him and his father Chuck, Will and Jason put on a dancing tutorial, before revealing a special Christmas present for Aiden.
New seeason: Will Smith, 52, joined Jason Derulo, 31, to give a 14-year-old battling from cancer a special early Christmas gift on season two of Will From Home, released Monday on Snapchat
Aiden has had to undergo chemotherapy treatments throughout much of the pandemic, but his father isn’t able to be by his side during the treatments due to COVID-19 safety procedures.
However, he’s done his best to boost his son’s spirits by dancing for
In a clip from the series, which can be watched on the Snapchat app, Aiden shows off some of the dance moves he has learned for Will and Jason, who burst out into laughter and cheers when he nails it.
It’s not all about who has the freshest moves, though, and Aiden is presented with a special Christmas gift from the Fresh Prince star.
Difficult time: Aiden was diagnosed with cancer in April and has been undergoing chemo treatments, but his father Chuck can’t be with him due to COVID-19 safety procedures, so he dances from outside the room to raise his son’s spirits
Dancing up a storm: Will and Jason showed Aiden and Chuck some fresh dance moves, terbaik sumatera and they burst into cheers when Aiden showed them his skills
He opens the box to discover that it’s a PlayStation 5.
The highly coveted game console has been hard to find for gamers across the country as Christmas approaches, but it wasn’t on the market yet when the clip was filmed.
‘That’s the PS5 — you can’t even get those yet!’ Will shouts with excitement.
On a screen behind him, Aiden raises the box above his head and lets out a roar.
Along with the gifts just for Aiden, Will also made a $10,000 donation to the Cook Children’s Medical Center in Fort Worth, Texas.
First in line: Will also got Aiden a special gift, which turned out to be a PlayStation 5
Scarce: The highly coveted video game console wasn’t even available yet at the time the episode was filmed
Charity: Along with the gifts just for Aiden, Will also made a $10,000 donation to the Cook Children’s Medical Center in Fort Worth, Texas
Each episode of the 10-episode social media series will find Will helping out those in need and honoring people who have made major sacrifices for the benefit of others.
In addition to Derulo, the season features high-profile guest appearances from Alicia Keys, Lil Nas X, DJ Khaled and Ludacris, among others.
Will’s new series follows his HBO Max reunion with his Fresh Prince Of Bel-Air costars, which was released in November on the streaming service.
The often joyous meet-up also showed Will getting emotional when remembering the late James Avery, who played his Uncle Phil on the series, and during an occasionally tense chat with Janet Hubert, the original Aunt Vivian.
Star power: Each episode finds will celebrated someone doing good deeds in real life, and this season features guest spots from Alicia Keys, Lil Nas X, DJ Khaled and Ludacris
Together again: Will’s new series follows his HBO Max reunion with his Fresh Prince Of Bel-Air costars, which was released in November on the streaming service
Gone too soon: Will getting emotional when remembering the late James Avery, who played his Uncle Phil on the series and died in 2013
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WASHINGTON, Jan 25 (Reuters) – The Group of 20 countries need to step up their efforts to help low-income countries deal with high levels of debt, the No.2 official at the International Monetary Fund said on Tuesday.
First Deputy Managing Director Gita Gopinath told reporters that 60% of low-income countries were in or at high risk of debt distress, and would find it increasingly difficult to service their debts, but the G20 Common Framework needed to be revamped to deliver debt restructuring agreements more quickly.
“It has made some progress, but a lot more is needed to actually get it to deliver on its promise” to help countries with unsustainable debt levels, she said.
(Reporting by Andrea Shalal and pts terbaik sumatera David Lawder)
Students should not return home from university before the second lockdown begins as it will risk the lives of loved ones, a minister has said.
Universities minister Michelle Donelan has also called on institutions not to switch fully to online lessons during the lockdown as she warned it could jeopardise students’ learning and “risk their mental health”.
In a letter to students ahead of the second lockdown in England, Ms Donelan has urged young people against travelling back to their families before the new national restrictions come into effect on Thursday.
She said: “I know and appreciate that a number of you may want to be back with your family during this difficult time, but I urge you to stay where you are in order to save lives.”
In a separate letter to vice-chancellors, the minister said she wants all students to have “some form of face-to-face learning” where possible, as they had not seen evidence of increased transmission within teaching environments on university campuses.
Ms Donelan said: “We expect you to continue to make informed decisions with your local public health teams on the level of face-to-face teaching and learning to provide, based on appropriate risk assessments and the needs of students and staff.
Signs on a window at Manchester Metropolitan University´s Birley campus where hundreds of students have been told to self-isolate after 127 of them tested positive for coronavirus.
“We do not, however, want or expect to see a transition to full online learning during the new national restrictions — this could jeopardise the learning that students receive, as well as risk their mental health and wellbeing.”
It comes after guidance from the Cabinet Office said universities and adult education settings “should consider moving to increased levels of online learning where possible” during the four-week lockdown.
The University and College Union (UCU) is calling on vice-chancellors to move all non-essential activities online now to keep students and staff safe and to minimise the spread of Covid-19.
But new Department for Education (DfE) guidance on what universities and students in England should do during the second lockdown says face-to-face teaching should continue where it can be done safely.
The guidance says “commuter students” – those who live at their family home and travel to the university campus for lessons – will still be allowed to attend the university for educational purposes during the lockdown.
It also advises that face coverings should be worn in all university learning environments, providing that they do “not impact teaching and learning.”
The new guidelines say libraries and study spaces on campus should remain open during the new national restrictions, but students must not gather in these spaces unless it is part of a scheduled in-person seminar or tutorial.
Students have been told to remain at university and not to travel home before November 5 so that they can “benefit from face-to-face teaching and Covid-secure educational facilities” and prevent the risk of spreading coronavirus.
Ms Donelan told students: “The reason we are asking you to remain at your university area and not to travel home before the new restrictions come into place on Thursday is to prevent any further spread of Covid-19 — any movement around the country will risk the lives of our loved ones.”
Hillary Gyebi-Ababio, vice president for higher education at the National Union of Students (NUS), has called the demands “unjust” and she warned the rules could be “damaging” to students’ mental health.
The NUS is calling for more “credible options” to be put on the table – including letting students leave their halls, releasing them from rental contracts, or allowing them to leave their course altogether.
Ms Gyebi-Ababio said: “With news of a national lockdown, some students will understandably want to reform households with family and be around loved ones.
“With current guidance allowing people to move homes and form new households until Thursday it is unjust that the Government calls on students to stay put.
“For students that do remain on campus over lockdown we need to see additional mental health and wellbeing support provided in recognition of how challenging this period will be.”
She added: “For too many months, students have been at the whim of ever-changing guidance and rules, often expecting them to adhere to tighter restrictions than the rest of the population.
“Not only is this fundamentally unfair, it is hugely damaging for students’ mental health and finances, with the uncertainty making it harder for many to access education. This must change.”
A Universities UK (UUK) spokeswoman said: “As the universities minister has made clear in her letters to vice-chancellors and to students, students should remain at university and teaching, learning and student support should continue.
“Universities and Government recognise the importance of face-to-face teaching and learning activities in Covid-secure facilities for students’ education, mental health and wellbeing. This will include libraries and learning spaces remaining open.”
By Wayne Cole
SYDNEY, Jan 24 (Reuters) – Asian shares slipped on Monday as investors braced for a Federal Reserve meeting at which it is expected to confirm it will soon start draining the massive lake of liquidity that has supercharged growth stocks in recent years.
Adding to the caution were concerns about a possible Russian attack on Ukraine with the U.S.State Department pulling out family members of its embassy staff in Kyiv.
The New York Times reported President Joe Biden was considering sending thousands of U.S. troops to NATO allies in Europe along with warships and aircraft.
MSCI’s broadest index of Asia-Pacific shares outside Japan eased 0.7% and Japan’s Nikkei 0.1%.Chinese blue chips added 0.4%, perhaps aided by the recent easing in policy by Beijing.
In Europe, EUROSTOXX 50 futures slipped 0.4%, while FTSE futures fell 0.2%.
But Wall Street futures bounced after last week’s drubbing, with the S&P 500 futures up 0.7% and Nasdaq futures 0.8%.
Anxious markets are now even pricing in a small chance the Fed hikes rates this week, though the overwhelming expectation is for a first move to 0.25% in March and three more to 1.0% by year end.
“With inflation eye-wateringly high, the Fed is on course to steadily remove the ultra-accommodative monetary policy that has been a key prop to stock prices for over a decade now,” said Oliver Allen, a market economist at Capital Economics.
The prospect of higher borrowing costs and more attractive bond yields has taken a toll on tech stocks with their lofty valuations, leaving the Nasdaq down 12% so far this year and the S&P 500 nearly 8%.
The rout was exacerbated by a slide in Netflix, which tumbled almost 22% on a gloomy forecast for subscriber growth, shedding $44 billion in market value.
Such was the scale of the losses that Treasuries actually rallied late last week on speculation the bonfire of market wealth might scare the Fed into being less hawkish, a variation of the old Greenspan put.
However, Allen noted that even with the recent drop the S&P 500 was still 40% above where it ended 2019, and the Nasdaq 60%.
“Investors may not be able to rely on a so-called ‘Fed put’ this time around, given that the central bank’s tightening cycle has not even begun, and that the strength of the U.S. economy suggests that much tighter policy is warranted.”
Indeed, the first reading of U.S.gross domestic product for the December quarter is due this week and forecast to show growth running at an annualised 5.4% before Omicron put its foot on the brakes.
Earnings season is also well under way and companies reporting this week include IBM, Microsoft, Johnson & Johnson, Tesla and Apple.
Around a fifth of the S&P 500 is expected to provide quarterly updates this week.
While Treasuries did bounce late last week, 10-year yields are still up 22 basis points on the month so far at 1.77% and not far from levels last seen in early 2020.
That rise has generally supported the U.S.dollar, which added 0.5% on a basket of currencies last week and last stood at 85.647. The euro was stuck at $1.1324, having failed to sustain a recent rally to near $1.1500. “The risk is the Fed’s statement portrays an urgency to act soon, likely in March, in the face of very high inflation,” said Joseph Capurso, CBA’s head of international economics.
“That could even encourage markets to price a risk of a 50 basis point rate hike in March and, under that scenario, we expect a knee-jerk reaction above its 4 January high of 96.46.”
The Japanese yen tends to benefit from safe haven flows as stocks crumble, keeping the dollar at 113.84 and uncomfortably close to last week’s low of 113.47.
Gold held up at $1,836 an ounce, terbaik sumatera (simply click for source) having hit a six-week peak of $1,842 last week.
Oil prices were rising again having climbed for five weeks in a row to a seven-year peak on expectations demand will stay strong and supplies limited.
Brent added 83 cents to $88.72 a barrel, while U.S.crude rose 77 cents to $85.91.
(Reporting by Wayne Cole; Editing by Sam Holmes and Edwina Gibbs)
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The first time I picked up the DualSense controller, I thought: it’s like a little living thing in my hands. I was playing , a free PS5 game designed to highlight the new controller’s features. But, I also wondered: How many other PS5 games are going to take advantage of its wild, subtle features?
Gaming hardware that reaches out and surprises is pretty rare. Usually, it’s Nintendo’s domain: the detaching, docking, transforming , or the Wii’s free-wheeling controllers. The and are pretty astonishing. Add to that list the ‘s magical new version of its controller, now called DualSense instead of the older DualShock designation.
The PlayStation 5 is a graphically overloaded console with lots of potential, but its standout feature is clearly the upgraded DualSense. Launching Astro’s Playroom, the game preinstalled on the PS5, you get a showcase of what it can do. Its triggers stop and start to make it seem like you’re gripping ledges or pulling back bowstrings. Walking across ice, the controller tinkles and taps just perfectly to make it seem like I can feel the crunchy surface. The DualSense’s vibrational haptics really do create moments where I can almost touch the game.
The PlayStation 5 should get its own in the next couple of years. But in the meantime, the DualSense offers a little promise of what Sony’s immersive gaming steps could head to next.
But how many games will showcase these new features and will developers take the time? New interfaces are risky. Sometimes, as was the case with the Nintendo Wii, Wii U and even the Joy-Cons on the Switch, it’s not easy to get other games to come aboard.
“Following discussions with game developers, we realized that ‘sense of touch’ within gameplay hasn’t been a focal point for many games in the PS4 generation,” says Takeshi Igarashi, VP of the Peripheral Design Department at Sony Japan, over email.
Sony has leaned on its own creative team to showcase the possibilities. Japan Studios’ Team Asobi has made games showcasing the PlayStation 4’s camera and PlayStation VR headset, and Astro’s Playroom does the same for terbaik sumatera the PS5. It’s as much a tutorial for new owners as it is an inspirational attempt to spark what other game developers could do next.
Astro’s Playroom was built to show off the DualSense controller. It’s also a guided tour.
Sony Computer Entertainment
“A lot of games usually come from a narrative or a desire to tell a particular story. And in our case, the story is all about the mechanical device and its possibilities,” Nicolas Doucet, Creative Director at Sony’s Japan Studio, says about Team Asobi and how it made Astro’s Playroom.
Team Asobi was sent its first DualSense prototypes back around early 2018, says Doucet, when the group was still busy making the PlayStation VR game Astro Bot Rescue Mission (which is one of my favorite PSVR games of all time). A dedicated DualSense team split off and started brainstorming clever things the controller could do.
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The PS5’s DualSense is a surprising reinvention of the…
“We had 80 of these individual demos — we didn’t use everything. An individual tech demo could be archery, or it could be walking in the snow, or something like that,” says Doucet. “And then we would decide, in this world, we’re going to have these six or seven demos and we kind of stitched them together in a way that was as natural as possible. The idea is to kind of hide that to the user and just make them go on this magical journey instead.”
Japan Studio’s work helped evolve the controller, too. “For the adaptive triggers, we applied existing mechanism design technology and went through multiple concepts and mockups to create something that worked with the DualSense controller, while making sure we didn’t sacrifice comfort and ergonomics,” Sony’s Igarashi says. “We played demos that were provided by the Astro’s Playroom team in Japan Studio and we bounced ideas off each other to come up with a variety of different vibration patterns.”
Scott Stein/CNET
I’m used to wearing VR headsets, but the PS5’s first accessories are immersive without anything to wear. Team Asobi’s previous PlayStation games were mostly VR-focused, but the goals with the controller’s haptics are similarly immersive. “You know, we’ve been playing games for so many, many, years and it’s sometimes difficult to get surprised again, right?” Doucet says of the challenge. But he saw a lot of potential in the adaptive triggers and haptics right away. “There could be lots of features that sound cool on paper, but you can never quite get them to deliver anything. But these ones were really, really quick to deliver.”
The team started with trigger-focused shooting gallery demos that used the haptics and combined sounds with haptics in Astro’s Playroom to create realistic-feeling effects like hitting ice or metal.
“It’s kind of a trinity between what you feel, what you hear, from the controller especially and what you see on the screen. And your brain is really fooled into believing these. And the way you weight all these three elements is very important,” says Doucet.
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PS5 review: full breakdown of all the new features
The effects are also directional and spatial. “In the sandstorm, you have the noise, but you also hear both the wind and the noise from the controller, you hear a kind of crackling sound as if the grains of sand were hitting inside,” Doucet says. “And then, of course, on screen, you also see the sandstorm coming at you. And what’s interesting is because we have two haptic motors in the controller, when the wind hits you in the game, it hits you from the front. And both of them produce haptic feedback on the same level. However, if you move the camera sideways and the wind comes from the side, then we balanced that where it comes from one side and travels to the other. So there’s a real time kind of element, according to the game camera, according to your position in a game.”
Doucet sees possibilities for more game-centric ways of using that, to detect ghosts in a game, for instance. “It’s always important that these things are not just gimmicks or one-shot things, but can be built upon,” he says.
Scott Stein/CNET
I was particularly surprised by how the PS5’s triggers can stop midway, vibrating with feedback but also seemingly transforming based on what you’re contacting. The closest thing the PS5 does to simulating touch happens when rock climbing in Astro’s Playroom, where the triggers give feedback and even lock in to create the feel of a ledge.
Some of Doucet’s early experiments with the adaptive triggers showcased surprising levels of realism. “We had a demo we didn’t put in the game, but it was a hand. You could kind of open and close it,” Doucet says. The hand would be able to grab different objects and crush things like glass balls. You could also pick up a fish.
“You could close your hand and the fish would be moving along with the trigger. So it would be flipping and the trigger would be flapping too. And you could hear it coming from the controller.” Doucet says it was particularly surprising: “Seeing something moving inside your hand, fighting back because it’s moving, because it’s alive, it’s a very, very different kind of feeling. We didn’t put it in just because we didn’t have a good place to do it.”
The way the triggers give feedback, tightening up and adjusting, suggests ways games could use the tech for training, or as a guide. Doucet sees possibilities in “precision playing,” but for Astro’s Playroom the goal was to be simpler, more child-friendly. Deeper use of the triggers only comes in one area, where the crumbling blocks require some finesse to reach an optional goal. It’s a start toward exploring other ideas.
Dan Ackerman/CNET
While Astro’s Playroom is clearly made to entertain PS5 owners, Doucet’s team has used its experiments to showcase ideas for developers, too, as part of their role exploring how to make the most of Sony’s new hardware.
“We started going out to third-party publishers, developers who also work on PlayStation or plan to make PlayStation games, which is why [we made] some of the choices we made about the tech demos,” says Doucet. “We had one where you could bounce a ball and the ball could be a basketball, football, volleyball, ping pong ball. And they were all different expressions by the way they were bouncing back and the way the trigger would behave. And we did that because, we thought, well, we’re not making a sports game. But you know, there are people where the ball physics and ball behavior is quintessential to the experience. So let’s have this kind of demo and see how far we can push out and that goes up to them. And they can sort of get inspired.”
There aren’t that many PlayStation 5 games that make the most of the DualSense feedback and triggers at the moment: Sony’s uses the subtle haptics a lot as a type of Spidey-sense, but not necessarily to transform gameplay. But those moments could come. It might take developers like Team Asobi to show the way, especially when a possible PSVR 2 arrives.
Your success with affiliate marketing all begins with your affiliate marketing tutorial. In this article I am going to show you why the top 3% of people online make money with affiliate marketing. There is a reason behind the whole success they are having and it is not just luck.
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is launching a new Snap Original series Wednesday that teaches unique dances in a first-of-its kind immersive show.
Called Move It!, the show includes 10 episodes that feature chart topping songs for Snapchatters to follow along and create their own music videos, which can be shared to their account.
Dance influencers Michael Le and Dytto host and teach using the app’s tutorial Lenses.
Once viewers have mastered the moves, they can activate a final Lens that adds special effects, such as lightning bolts and neon lit hearts, which transforms the clip into a music video.
Snap is releasing 30 different Lenses designed with body tracking to detect the person and trigger animation effects based on movements within camera view.
Move It!also includes an opportunity for viewers to monetize through Snapchat’s new Spotlight, which puts them in the running for a share of a $1 million prize.
Snapchat is launching a new Snap Original series Wednesday that teaches unique dances in a first-of-its kind immersive show.Called Move It!. It is hosted and taught by dance influencers Dytto (left) and Michael Le (right)
Anjuli Millan, head of production for Snap Originals, told DailyMail.com: ‘Snap is a unique company that can bring media and technology together in the most seamless way.’
‘Every day we are inspired by the opportunity to try something new and innovate against the ordinary.’
‘We spent a year on Move It!, working cross-functionally between teams in total collaboration to build this new Snap Original series that unites storytelling, talent, and the cutting edge advancements in our camera platform on Snapchat.’
In each episode, pts terbaik sumatera Snapchatters practice with Le and Dytto side by side through the AR dance tutorial Lenses.
Dance influencers Michael Le and Dytto host and teach using the app’s tutorial Lenses that provide terms to help teach the movements
Both Le and Dytto will explain the movements verbally and the Lenses will display them on the screen to keep viewers on track with the song.
‘My favorite dance and song for Move it!is the ‘All on My Team’ piece I did,’ Dytto told DailyMail.com
‘It has some of the cutest Lense effects, along with my favorite moves. On top of all of that, it has an important message about confidence, and the company that you keep!’
Once users feel they have learned the dance, they step into the final AR Lens experience that showcases their moves with effects like lightning shooting from their hands, sonic booms when they clap, butterflies with body rolls, fireworks and more.
‘I love how upscale and easy everything is!The craziest feature is that the dances are matched with the fire AR visuals in real time that are built into the Lenses,’ Le told DailyMail.com.
The AR Lenses release effects like lightning shooting from their hands, sonic booms when they clap, butterflies with body rolls, hearts and more
The Lenses work with both the front and rear-facing cameras on a smartphone or tablet, which Snap is rolling out 30 in total.
‘An incredibly talented music supervisor was brought onto the project, Allison Wood, who has an amazing ear for talent and catchy songs that would quickly be a hit with our community,’ said Millan.
‘Working with some of the hottest tracks, Michael and Dytto were then able to choreograph all the dances in the show and put their full creativity on display.’
Move It!was produced exclusively for Snap by Little Engine Productions and StellAR Studio, along with executive producers Carly Steel and Gina Matthews.
In addition to helping viewers learn new moves and capitalize on viral dance trends, the show also features an opportunity for viewers to monetize through Snapchat’s new Spotlight, which launched last month.
Spotlight allows users to share a post publicly in Spotlight, just as they would privately with their friends in Stories.
In addition to helping viewers learn new moves and capitalize on viral dance trends, the show also features an opportunity for viewers to monetize through Snapchat’s new Spotlight, which launched last month
The more views a post gets, the higher it will move up a leaderboard.
Those that get the most views in a 24-hour timeframe will earn their creators a share of more than $1 million (£750,000) in prize money.
‘Since Snapchatters have the option to create Snaps from the show and share them just with close friends, your personal Story, or submit into Spotlight….we created Spotlight because it’s clear that many want to post their creative Snaps in an enduring way to public forums for broad visibility,’ a Snap spokesperson told DailyMail.com.
‘They do so today on other platforms, and Spotlight creates a space for that within Snapchat.