Sex and the City reboot has a major sex problem, and the finale proves it

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The Sex and the City cast (sans Samantha) crashes into a brave new 2022. 

HBO

Spoiler alert: The last few paragraphs of this story contain spoilers for the finale of And Just Like That.

If one adjective describes HBO’s And Just Like That, it’s “cringey.” 

In the late ’90s, the original Sex and the City was an edgy show about single women’s sexual independence. Decades later, And Just Like That not only contains minimal sex, it misses major opportunities to explore the complexities of sexuality. How is a series that once broke a mold now so… square? 

In the reboot, Carrie Bradshaw (Sarah Jessica Parker) resurfaces with an abridged entourage of Charlotte (Kristin Davis) and Miranda (Cynthia Nixon), each shuffling through a midlife crisis: death of a spouse, parental alienation and erotic self-awakening. Samantha (Kim Cattrall), the character who pushed the most sexual boundaries, with a DGAF spirit and refreshing wit, left for greener pastures. 

And Just Like That is a story about Gen Xers trying to navigate what feels like a foreign new world. In the first episode, Carrie gets flustered over the mere mention of public masturbation on a sex and dating podcast. Later, she awkwardly asks her long-term partner, Big, whether he… ever tickles the pickle.  

Carrie and Co. also struggle to understand nonbinary characters: Rock, Charlotte’s kid, and Che Diaz, Miranda’s love interest. When Miranda reveals that she and Che had mind-blowing sex (in her words, “a finger”), Charlotte wonders if her friend is suddenly gay, bluntly concluding, “You are not progressive enough for this!”

Sex and society have a complex relationship. Mainstream television often either reflects that complex relationship or overlooks it. TV tells us what audiences desire and what is acceptable, acting as a moral and cultural barometer, according to the authors of the 2012 book .

So what does And Just Like That say about today’s sexual norms? For one, Carrie’s squeamish approach to masturbation makes her the most noncredible sex columnist ever.

“It’s a shocking sign of how much we’re just indicating conversations around sexuality versus really having them,” said sex coach , who’s developing her own drama series, , which she hopes will push the country toward new pleasure-filled dimensions.  

And Just Like That can’t get it up

Representations of sex on TV have exploded since the time of I Love Lucy, when showing pregnancy on TV was considered too risqué. Janet Hardy, sex educator and co-author of the book , remembers married couples on television sleeping in separate beds. Today “a popular mainstream show like Modern Family can show a gay family lovingly and without judgment,” said Hardy, who grew up at a time when same-sex sexuality was against the law. 

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The Golden Girls paved the way for casual sex talk during brunch. 

NBC

In the 1980s, The Golden Girls laid the foundation for women talking openly about casual sex and gay issues — even topics like AIDS — on mainstream television. (They were in their 50s, around the same age as the characters in And Just Like That.) After Sex and the City’s last season in 2004, The L Word gave visibility to lesbian sex, and Girls invited us to view messy relationships that came with shame and vulnerability. Today, HBO’s Euphoria and Netflix’s Sex Education teach us not only about a multitude of gender identities and relationship models, but also consent, violence and disability — and the main characters are in high school.

Compared with those shows, And Just Like That feels, for younger viewers, like a remnant of a bygone age. Generation Y (millennials) and Z (zoomers) have access to almost every sexual proclivity, via social media and through internet porn. As sexual representation becomes more inclusive and fluid, some people from older generations feel alienated, according to Habie. 

The estrangements in the Sex and the City reboot aren’t only about sex and gender. Race, which was barely dealt with in the original show, is inserted in a forced and tone-deaf way. Miranda can’t comfortably navigate a university classroom where there’s a Black professor with braids. And Charlotte tries to appear “woke” for a party with Black acquaintances, so she and her hubby preplan which Black artists and authors to name-drop.

These painful scenes seem at least somewhat self-aware — the Black dinner party episode is called Some of My Best Friends. When an ideal is turned on its head and painted as absurd, that makes for parody.

“I’m very much reminded of ,” said , a New York City-based HIV prevention specialist and psychotherapist. The 1995 film took the wholesome Bradys from the original 1970s sitcom and transported them into the modern world. Outside of their idyllic bubble, the popular family appears silly and naïve. Could the creators of And Just Like That succeed by inviting fans to mock their favorite characters’ outdated narrative? 

Women don’t really come from Venus

When Sex and the City premiered in 1998, it had a winning formula. The main characters were well-off, white, heterosexual and cisgender New Yorkers. Sure, they talked about blowjobs over brunch, but they were also glamorous and didn’t seem to be impacted by gender inequality — in the bedroom or the boardroom. Their fantasy world was palatable to a broad array of viewers, from soccer moms to curious teenagers.

The dominant guide to relationships at the time was by relationship counselor John Gray. The piece of pop psychology sat high on bestseller lists for years (as well as on my parents’ bookshelf), describing men and women as members of “the opposite sex” — an archaic term assigning two fixed biological categories, each with innate behaviors. 

Less widespread was The Ethical Slut, a groundbreaking guide to relationships outside of conventional monogamy, which appeared a year prior to Sex and the City’s debut. Talk of open marriage or polyamory was socially rejected then, but Hardy said 1997 had cracked open a few doors in mainstream depictions of sexuality — Ellen Degeneres came out of the closet publicly and Buffy the Vampire Slayer depicted a powerful heroine having vampire sex. Still, she said, “I can’t think of any television show that showed a fully sexual woman without judgment at that time.”

That’s why Sex and the City was considered cutting-edge and revered by so many, including gay and queer men, according to Jacobs. “For the first time you had this fictional depiction of people talking frankly and openly about sex in a way that promoted agency and empowerment,” he said. The series — which had gay creators and writers — came out in the shadow of the AIDS crisis, when many people deeply feared the consequences of being sexually active.

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Oh, how we miss you, Samantha. 

Getty Images

The characters, chiefly Samantha, gave license to talk about sexual desire without shame or worry. Coinciding with the emergence of antiretroviral medications and treatment, the show rarely mentioned condom use and never dealt with HIV or AIDS. Jacobs, a great admirer of the show, appreciated how Sex and the City helped normalize conversations around pleasure. “It represented in my cohort this fantasy of freedom that we didn’t really have,” he said.

More colors of the rainbow, but no spectrum

Though Sex and the City had a large queer following, the show approached and tokenism: Carrie’s gay bestie, Stanford, is more of a decoration than an independent person with lived experiences, and is presented as mere experimentation and confusion. All these years later, And Just Like That hasn’t done much better.

Though Che plays a central role in the new series, Jacobs points out that the audience doesn’t learn about them through their own scenes or storylines. Beyond the show’s discussion of preferred pronouns, there’s only a shallow exploration of the issues facing trans, nonbinary and gender-nonconforming individuals. It’s more like box-checking. We never hear, for example, what it’s like for 12-year-old Rock to come out as nonbinary at school, or to face the disappointment of their heteronormative parents. 

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Euphoria digs deep into the gender and sexual identities of its characters. 

HBO

Habie notes that neither the original Sex and the City nor the reboot depicts the gender and sexuality spectrum, which spans a multitude of identities and orientations. And Just Like That tries to step out of its antiquated boy/girl divide by simply adding the “other” label. “Now you have your triangle — you have one more option,” Habie said. Case in point: Che’s podcast is called X, Y and Me.

Younger generations truly get the idea of spectrum in a way that some older folks don’t, according to Habie. Youth have been exposed to a flood of sexualized content, and though not all of it is sex-positive or authentic, it’s far from the buttoned-up social norms that shaped pop culture before the sexual revolution. Plus, they have access to modern, science-based books about sexuality, like Emily Nagoski’s , which recognizes the wide range of women’s tendencies and preferences.

Young people are also sharing more about their sexuality publicly, giving us a glimpse into their lives that’s made its way to popular television. , a show about teenagers dealing with drug addiction, sexual abuse and trauma, has a complexity and expansiveness other shows don’t, said Habie. The young characters are represented as unique individuals who just happen to be on journeys exploring their sexual and gender identities — they aren’t unique solely because of their sexual and gender identities.

Hardy appreciates  not only because the teenage characters are empowered to make adult sexual decisions — the show also emphasizes accurate and sensitive education as the key to sexual happiness. “Sex isn’t treated as a bargaining chip or a status marker; it’s shown as a way to give and receive touch, affection and pleasure,” Hardy said in an email. And the show “does not judge anybody’s kinks or orientations.”

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Sex Education has a lot of sex and a lot of education. 

Netflix

The best sex of our lives

Miranda’s sexual storyline in And Just Like That is the most authentic, and the most deserving of more depth. Her relationship with Che is a catalyst for a journey of self-discovery that involves coming to terms with stasis in her marriage. At 55, Miranda realizes she’s given up a part of herself, including her own sexual agency. 

The struggle to maintain desire in long-term relationships is real. It’s a topic addressed by Jacobs in his practice as well as by renowned psychotherapist . “The challenge for modern couples lies in reconciling the need for what’s safe and predictable with the wish to pursue what’s exciting, mysterious and awe-inspiring,” Perel writes in . Miranda couldn’t find passion inside her monogamous relationship, and maybe she didn’t want to. 

But the show only glosses over these common challenges. As a result, instead of empathizing with Miranda’s choice to pursue her own happiness, viewers have bemoaned that her husband Steve was left in the dust — even earning the beloved character hashtag. Though the show acknowledges the existence of open marriages, the final episode follows a conventional template: bokep terbaru a powerful sexual awakening is reduced to an affair, and the primary relationship terminates in divorce. 

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Che initially assumes Miranda is in an open marriage, but it’s never discussed as an option. 

HBO

Still, the finale reveals how the three main characters are open to embracing change. “The future is unwritten,” Carrie says on her podcast, as she transcends her grief to find romance as a widow. Charlotte learns to accept Rock’s determination to be unlabeled, and Miranda allows herself to be vulnerable. Personal transformation at any age is a valid story that deserves to be told. 

In Habie’s view, if a show were to accurately address the sexuality of women in their 50s, it would focus on the role of psychological arousal — things like masturbation, role playing and fantasy, which become more pivotal as women age and their hormones change. “Good sex is about expansiveness, discovery and curiosity,” she said. Older women often go through a second puberty as they tap into their eroticism, leading many to the best sex of their lives. 

It would be good for youth to see how sex changes as we mature, just like it’s good for their parents’ generation to learn how attitudes about gender, sexuality and relationships are evolving. Until we have more genuine stories being told, the younger generation is leading the way. Said Hardy, “I’m really looking forward to seeing the kind of world they create.” 

Son of multimillionaire is sentenced to 18 years for child porn

Zackary Sanders, 27 (in mugshot) has been jailed for 18 years for child porn offenses

Zackary Sanders, 27 (in mugshot) has been jailed for 18 years for child porn offenses

The son of a multimillionaire doctor dubbed the ‘father of telemedicine’ has been jailed for 18 years for child porn offenses.

Zackary Sanders, 27, was given the jail term by a federal judge who praised him as ‘a pretty amazing, inventive, energetic young man. 

But he added: ‘What you did was wrong.’ 

Sanders’s father is Jay Sanders, 84, a Harvard-educated doctor who is credited with popularizing telemedicine in the 1990s when he advised the Clinton administration.

The family owned a $3.4 million, seven bedroom home n McLean, Virginia, but sold it in May last year, five months before their son was convicted at trial.

It appears to be this property where, according to court documents, 26 law enforcement agents carried out a 6am raid in February 2020 with their guns drawn.

They are said to have ‘pulled Mr.Sanders’s parents out of their home and forced Mr. Sanders at gunpoint into his mother’s office’.

Members of Sanders’s family, situs porno including his mother Risa, 64, appeared tense while in court for the sentencing of their son in Alexandria, Virginia, last week.

Sanders was jailed by judge T.S.Ellis for 12 counts relating to receiving, producing and possessing child pornography.

The trial heard that he engaged in conversations with at least six minors on messaging apps and possessed sick videos and images including one which depicted the sexual abuse of a toddler.

His father is Jay Sanders, a doctor who is credited with popularizing telemedicine in the 1990s when he advised the Clinton administration

His father is Jay Sanders, a doctor who is credited with popularizing telemedicine in the 1990s when he advised the Clinton administration

Sanders directed minors to engage in sexually explicit where they harmed themselves and to film themselves doing it - and send the videos to him

Prosecutors said that Sanders possessed videos and images of underage children being 'subjected to sadistic acts'

Sanders directed minors to engage in sexually explicit acts where they harmed themselves and to film themselves doing it – and send the videos to him.Prosecutors said that Sanders possessed videos and images of underage children being ‘subjected to sadistic acts’

The family owned this $3.4m, seven bedroom in McLean, Virginia, but sold it in May last year, five months before their son was convicted at trial

The family owned this $3.4m, seven bedroom in McLean, Virginia, but sold it in May last year, five months before their son was convicted at trial

Sanders directed five of the minors to engage in sexually explicit where they harmed themselves and to film themselves doing it – and send the videos to him.

Prosecutors said that Sanders possessed videos and images of underage children being ‘subjected to sadistic acts’.

Judge TS Ellis told him: 'What you did was wrong' but then went on to praise Sanders and said that he expected he would bounce back after he completed his jail term

Judge TS Ellis told him: ‘What you did was wrong’ but then went on to praise Sanders and said that he expected he would bounce back after he completed his jail term

Upon Sanders’s release he will have to sign on as a sex offender and will be subject to supervision for the rest of his life.

Judge Ellis told Sanders that some of the images in his possession were ‘quite awful’.

He said: ‘You’re a smart young man, you can do better.But you need to understand what you did was wrong, it was criminal and you cannot do it ever again’.

Before his conviction Sanders enjoyed a life of privilege thanks to the success of his father, who is president of Global Telemedicine Group, whose clients have included the World Health Organization and the US Department of Defense.

Jay Sanders is currently an adjunct professor of medicine at Johns Hopkins School of Medicine who served as the telemedicine representative to the G8 group of industrialized nations during the Clinton administration.

He helped set up the first telemedicine facility in a correctional institute and in 1991 designed the telemedicine system for the state of Georgia.

It was the first statewide system of its kind and it served as the model for many others.

Jay Sanders’s son studied theater at NYU before founding a lighting and concessions business, Oasis Entertainment.

On its website the company says it offers concessions stands, lighting and DJs to ‘keep any party rocking’.

The company boasts that it is ‘proud to be certified by the FDA to operate high powered entertainment lasers’.

On his Twitter account, Sanders calls him: ‘Entrepreneur – Visionary – Designer’.

The Sanders family’s zealous representation of their son included several different lawyers who filed emergency motions to try to get him out of prison.

They sued the FBI for breaching FOIA laws after submitting a request for records from the agency related to its investigations of sex traffickers.

Sanders’s parents offered to be third party custodians of their son and his mother Risa even testified in court she would be willing to do whatever the court wanted, including removing his electronic devices and making her son wear a monitoring device. 

Judge Ellis remarked that he had seen ‘seven or eight’ different law firms before him, such was the amount of money the family spent on legal representation.

At sentencing he said he had ‘no doubt his parents will continue to support him’.

Jay Sanders is currently an adjunct professor of medicine at Johns Hopkins School of Medicine who served as the telemedicine representative to the G8 group of industrialized nations during the Clinton administration

Jay Sanders is currently an adjunct professor of medicine at Johns Hopkins School of Medicine who served as the telemedicine representative to the G8 group of industrialized nations during the Clinton administration 

Sanders's mother Risa appeared tense while in court for the sentencing of their son in Alexandria, Virginia, last week. The Sanders family's zealous representation of their son included several different lawyers who filed emergency motions to try toget him out of prison

Sanders’s mother Risa appeared tense while in court for the sentencing of their son in Alexandria, Virginia, last week. The Sanders family’s zealous representation of their son included several different lawyers who filed emergency motions to try toget him out of prison

However Judge Ellis ruled that Sanders was too broke to pay a $60,000 special assessment for now and would have to wait until he served his sentence.

Sanders’s only possession – aside from his family’s wealth – is his car, Judge Ellis said.

Judge Ellis went on to praise Sanders and said that he expected he would bounce back after he completed his jail term.

He said: ‘He is a pretty amazing, inventive, energetic young man. Enterprising would be the best word I could use.

‘Even as a child he developed a business…I have no doubt that while his conviction would be a significant burden if he wants to work for Goldman Sachs, they will not be a significant burden if he becomes an entrepreneur, which he will.

‘I think he does have earning potential in the future.’

Judge Ellis has attracted controversy for comments about defendants before, including at the trial of Paul Manafort, Donald Trump’s former campaign manager.

While jailing Manafort for 47 months for a multi-million dollar fraud scheme Judge Ellis said that the sentencing guidelines of between 19 and 24 years were ‘vindictive’ and ‘way out of whack’.

He said: ‘Go and spend a day in the jail or penitentiary of the federal government.Spend a week there. He has to spend 47 months’.

Judge Ellis added that Manafort, who previously ran a lobbying firm that worked for third world dictators, had led an ‘otherwise blameless life’.

The Sanders family and their lawyer Christopher Amolsch did not respond to messages asking for comment

Marjorie Taylor Greene calls 3 GOP colleagues 'pro-pedophile'

Georgia Rep. Marjorie Taylor Greene has taken her attacks on fellow Republicans to a new level, accusing a trio of longtime senators of being ‘pro pedophile’ for backing President Biden’s pick for the .

She launched her attack on hours after the three Republicans joined on a procedural motion, putting Judge Ketanji Brown Jackson on track for confirmation, although by a historically tight margin.  

‘Any Senator voting to confirm #KJB is pro-pedophile just like she is,’ wrote the Georgia lawmaker, in a political attack that drew some condemnation on Twitter for being out of bounds.

Neither Judge Jackson nor the GOP senators who said they will back her are pro-pedophile. 

Greene referenced a political attack several Senate Republicans, including Missouri Sen. Josh Hawley mounted at the Judiciary Committee, where they accused the member of the D.C.Circuit Court of Appeals of being ‘soft’ on crime for the way she handed down sentences of people convicted of child porn offenses. 

Rep. Marjorie Taylor Greene (R-Ga.) called three Republican senators who are backing Judge Ketanji Brown Jackson 'pro-pedophile'

Rep.Marjorie Taylor Greene (R-Ga.) called three Republican senators who are backing Judge Ketanji Brown Jackson ‘pro-pedophile’

Democrats shot back that the sentences were in keeping with what parole boards were recommending, even if they were sometimes below sentencing guidelines.

‘There are MANY more qualified black women judges, that actually can define what a woman is, but Biden chose the one that protects evil child predators.And then Romney, Murkowski, and Collins vote for her,’ wrote Greene, who was forced to give up committee assignments after a series of controversial comments. 

She singled out Utah Sen. Mitt Romney, even bringing up his grandchildren in the attack.Romney joined Alaska Sen. Lisa Murkowski and Maine Sen. Susan Collins in announcing their support for the judge.

 ‘How would you feel if this was one of your children or grandchildren @MittRomney?’ she wrote.

‘You are either a Senator that supports child rapists, child pornography, and the most vile child predators.Or you are a Senator who protects children and votes NO to KJB!’ she added.

Utah Sen. Mitt Romney announced he would back Biden's nominee

Utah Sen. Mitt Romney announced he would back Biden’s nominee

Sen. Susan Collins (R-Maine) was the first Senate Republican to announce her support

Sen. Susan Collins (R-Maine) was the first Senate Republican to announce her support

Sen. Lisa Murkowski, R-Alaska was among the three Republicans Greene called 'pro-pedophile'

Sen. Lisa Murkowski, R-Alaska was among the three Republicans Greene called ‘pro-pedophile’

Ketanji Brown Jackson said during her confirmation hearing that she couldn't define what a woman was since she is not a biologist

Ketanji Brown Jackson said during her confirmation hearing that she couldn’t define what a woman was since she is not a biologist

'We came from Adam's rib. God created us with his hands. We may be the weaker sex, we are the weaker sex, but we are our partner, our husband's wife,' she said

‘We came from Adam’s rib.God created us with his hands. We may be the weaker sex, we are the weaker sex, but we are our partner, our husband’s wife,’ she said

Twitter suspended Greene’s personal account following posts it said violated its policies on COVID misinformation, but she maintains her official account. 

Her latest missive drew some condemnation on Twitter, including from former Trump White House Director of Strategic Communications Alyssa Farah Griffin, who is now a CNN commentator.

‘I’m a conservative.I disagree with Judge Brown’s jurisprudence & some sentencing decisions. But goodness – this statement is stupid, reductive, offensive, unpatriotic, and beneath the office Greene holds,’ she wrote. 

Attacks on Democrats as protecting ‘evil child predators’ have their origins in a bizarre conspiracy that accused prominent Democrats of running a child sex ring out of a pizza parlor before the 2016 election.  

Greene last year apologized for past support of QAnon conspiracy theories, although her comments recalled a past QAnon tale conspiracy theory Donald Trump was leading an effort against a Demoratic-linked child sex trafficking ring.

Her Twitter smear came a day after she tried to ridicule Biden’s nominee for failing to directly answer the question when asked during her confirmation hearing to define what a woman is.

Greene said at an endorsement event in Georgia: ‘I’m going to tell you right now what is a woman,’ the congresswoman said.’This is an easy answer. We are a creation of God. We came from Adam’s rib. God created us with his hands. We may be the weaker sex, we are the weaker sex, but we are our partner, our husband’s wife,’ she said.

MAFS: Mishel Karen to defend OnlyFans career on new reality show

Controversial Married At First Sight star Mishel Karen is heading back to the small screen.

The 51-year-old grandmother, who now works as an X-rated model, will be confronted by one of her family members about her raunchy career path on Spencer Pratt’s new online courtroom series, Judge Me. 

Pratt, best known for his time on The Hills, will serve as mediator between Mishel and her family on the show.

She's back! Married At First Sight's Mishel Karen (pictured) will return to the small screen to defend her controversial new career as an OnlyFans performer

She’s back! Married At First Sight’s Mishel Karen (pictured) will return to the small screen to defend her controversial new career as an OnlyFans performer

Daily Mail Australia understands that mum-of-three Mishel will defend herself over her porn career, which has ruffled some feathers among her nearest and dearest. 

Judgeporn big ass scene

Mishel, who used to work as a policy trainer in the police force, recently became a grandmother after her son Sam welcomed a baby boy with his girlfriend.

She’s also a doting mum to daughter Eva, who featured on a few episodes of Married At First Sight and now works as a curve model in Brisbane.

The Macedonian stunner shot to fame in 2020 when she ‘married’ barber Steve Burley on Married At First Sight.

Family: The 51-year-old is a doting mother of two children (pictured), as well as a grandmother

Family: The 51-year-old is a doting mother of two children (pictured), as well as a grandmother

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Raven Alexis dies at 35 after battling Crohn's disease

An award-winning adult film star has died at just 35 years old after battling Crohn’s disease and suffering a life-threatening infection.

Raven Alexis died last Wednesday in , her husband confirmed in videos posted to and one day later.

He said she was brought to a local hospital on March 20 ‘with some complications and some stomach Crohn’s/colitis issues she had dealt with.’

Crohn’s is a chronic autoimmune disease that causes inflammation and irritation in the digestive track. The most common form affects the small intestines and the beginning part of the large intestines, according to the

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‘It was a great ride, and they have a terrific business model for themselves, and I was fortunate to make some amazing and wonderfully selling movies in my time with them.’ 

But Alexis continued to see success even after she parted ways with Digital Playhouse, going on to star in a string of high-profile projects like Exile Pictures’ The Graduate XXX: A Paul Thomas Parody, Third Degree Films’ The Official Revenge of the Nerds Parody and Axel Braun’s This Ain’t Ghostbusters XXX3D for Hustler Video.

In 2011, she was nominated for an award in the Best New Starlet category at the AVN Awards and won a pair of trophies for xxvideos her scene in the Digital Playhouse film Body Heat with Riley Steele, Jesse Jane, Katsuni and Kayden Kross – the Best All-Girl Group Sex Scene and the Fan Award for Wildest Sex Scene.

She was famously seen at the awards show in a red leather dress with crutches, after she said she climbed onto a shelf to grab something high up in her house and injured her hip.

That same year, Alexis also appeared on the Adult Swim show Children’s Hospital as the ‘Porno Nurse.’

But soon Alexis became embroiled in controversy, after telling Jon Lieberman on Sirius XM’s The Howard Stern Show that she had been diagnosed with stage four liver cancer.

She said in the September 2011 episode that the cancer had spread to her brain and claimed, ‘Chemo is hard … not eating is really hard.’

Shortly after the episode aired, though, her boyfriend at the time contradicted her claims she had cancedied alone in her  apartment after doing ketamine and was ‘unrecognizable’ when police found her four days later.

Her mother Stephanie told DailyMail.com that she reported her missing on March 15 after not hearing from her for several days. 

She is believed to have died on the 11th – the last time anyone heard from her. 

Stephanie Montalbano said that while an official cause of death has not yet been provided, her daughter had been doing ketamine the night she died and that she believes she died from a ‘bad batch’ of the drug. 

She was alone and her apartment was locked when police found her body next to drug paraphernalia. 

Angelina dabbled in ‘party drugs’ like cocaine and ketamine, her mother explained, adding that while she did not approve of her drug use, she wanted to know about it.  

The family has now raised more than $20,000 on GoFundMe to bring Francesca’s body back to Chicago, where she grew up, for burial.

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Sex and the City reboot has a major sex problem, and the finale proves it

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The Sex and the City cast (sans Samantha) crashes into a brave new 2022. 

HBO

Spoiler alert: The last few paragraphs of this story contain spoilers for the finale of And Just Like That.

If one adjective describes HBO’s And Just Like That, it’s “cringey.” 

In the late ’90s, the original Sex and the City was an edgy show about single women’s sexual independence. Decades later, And Just Like That not only contains minimal sex, it misses major opportunities to explore the complexities of sexuality. How is a series that once broke a mold now so… square? 

In the reboot, Carrie Bradshaw (Sarah Jessica Parker) resurfaces with an abridged entourage of Charlotte (Kristin Davis) and Miranda (Cynthia Nixon), each shuffling through a midlife crisis: death of a spouse, parental alienation and erotic self-awakening. Samantha (Kim Cattrall), the character who pushed the most sexual boundaries, with a DGAF spirit and refreshing wit, left for greener pastures. 

And Just Like That is a story about Gen Xers trying to navigate what feels like a foreign new world. In the first episode, Carrie gets flustered over the mere mention of public masturbation on a sex and dating podcast. Later, she awkwardly asks her long-term partner, Big, whether he… ever tickles the pickle.  

Carrie and Co. also struggle to understand nonbinary characters: Rock, Charlotte’s kid, and Che Diaz, Miranda’s love interest. When Miranda reveals that she and Che had mind-blowing sex (in her words, “a finger”), Charlotte wonders if her friend is suddenly gay, bluntly concluding, “You are not progressive enough for this!”

Sex and society have a complex relationship. Mainstream television often either reflects that complex relationship or overlooks it. TV tells us what audiences desire and what is acceptable, acting as a moral and cultural barometer, according to the authors of the 2012 book .

So what does And Just Like That say about today’s sexual norms? For one, Carrie’s squeamish approach to masturbation makes her the most noncredible sex columnist ever.

“It’s a shocking sign of how much we’re just indicating conversations around sexuality versus really having them,” said sex coach , who’s developing her own drama series, , which she hopes will push the country toward new pleasure-filled dimensions.  

And Just Like That can’t get it up

Representations of sex on TV have exploded since the time of I Love Lucy, when showing pregnancy on TV was considered too risqué. Janet Hardy, sex educator and co-author of the book , remembers married couples on television sleeping in separate beds. Today “a popular mainstream show like Modern Family can show a gay family lovingly and without judgment,” said Hardy, who grew up at a time when same-sex sexuality was against the law. 

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The Golden Girls paved the way for casual sex talk during brunch. 

NBC

In the 1980s, The Golden Girls laid the foundation for women talking openly about casual sex and gay issues — even topics like AIDS — on mainstream television. (They were in their 50s, around the same age as the characters in And Just Like That.) After Sex and the City’s last season in 2004, The L Word gave visibility to lesbian sex, and Girls invited us to view messy relationships that came with shame and vulnerability. Today, HBO’s Euphoria and Netflix’s Sex Education teach us not only about a multitude of gender identities and relationship models, but also consent, violence and disability — and the main characters are in high school.

Compared with those shows, And Just Like That feels, for younger viewers, like a remnant of a bygone age. Generation Y (millennials) and Z (zoomers) have access to almost every sexual proclivity, via social media and through internet porn latina. As sexual representation becomes more inclusive and fluid, some people from older generations feel alienated, according to Habie. 

The estrangements in the Sex and the City reboot aren’t only about sex and gender. Race, which was barely dealt with in the original show, is inserted in a forced and tone-deaf way. Miranda can’t comfortably navigate a university classroom where there’s a Black professor with braids. And Charlotte tries to appear “woke” for a party with Black acquaintances, so she and her hubby preplan which Black artists and authors to name-drop.

These painful scenes seem at least somewhat self-aware — the Black dinner party episode is called Some of My Best Friends. When an ideal is turned on its head and painted as absurd, that makes for parody.

“I’m very much reminded of ,” said , a New York City-based HIV prevention specialist and psychotherapist. The 1995 film took the wholesome Bradys from the original 1970s sitcom and transported them into the modern world. Outside of their idyllic bubble, the popular family appears silly and naïve. Could the creators of And Just Like That succeed by inviting fans to mock their favorite characters’ outdated narrative? 

Women don’t really come from Venus

When Sex and the City premiered in 1998, it had a winning formula. The main characters were well-off, white, heterosexual and cisgender New Yorkers. Sure, they talked about blowjobs over brunch, but they were also glamorous and didn’t seem to be impacted by gender inequality — in the bedroom or the boardroom. Their fantasy world was palatable to a broad array of viewers, from soccer moms to curious teenagers.

The dominant guide to relationships at the time was by relationship counselor John Gray. The piece of pop psychology sat high on bestseller lists for years (as well as on my parents’ bookshelf), describing men and women as members of “the opposite sex” — an archaic term assigning two fixed biological categories, each with innate behaviors. 

Less widespread was The Ethical Slut, a groundbreaking guide to relationships outside of conventional monogamy, which appeared a year prior to Sex and the City’s debut. Talk of open marriage or polyamory was socially rejected then, but Hardy said 1997 had cracked open a few doors in mainstream depictions of sexuality — Ellen Degeneres came out of the closet publicly and Buffy the Vampire Slayer depicted a powerful heroine having vampire sex. Still, she said, “I can’t think of any television show that showed a fully sexual woman without judgment at that time.”

That’s why Sex and the City was considered cutting-edge and revered by so many, including gay and queer men, according to Jacobs. “For the first time you had this fictional depiction of people talking frankly and openly about sex in a way that promoted agency and empowerment,” he said. The series — which had gay creators and writers — came out in the shadow of the AIDS crisis, when many people deeply feared the consequences of being sexually active.

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Oh, how we miss you, Samantha. 

Getty Images

The characters, chiefly Samantha, gave license to talk about sexual desire without shame or worry. Coinciding with the emergence of antiretroviral medications and treatment, the show rarely mentioned condom use and never dealt with HIV or AIDS. Jacobs, a great admirer of the show, appreciated how Sex and the City helped normalize conversations around pleasure. “It represented in my cohort this fantasy of freedom that we didn’t really have,” he said.

More colors of the rainbow, but no spectrum

Though Sex and the City had a large queer following, the show approached and tokenism: Carrie’s gay bestie, Stanford, is more of a decoration than an independent person with lived experiences, and is presented as mere experimentation and confusion. All these years later, And Just Like That hasn’t done much better.

Though Che plays a central role in the new series, Jacobs points out that the audience doesn’t learn about them through their own scenes or storylines. Beyond the show’s discussion of preferred pronouns, there’s only a shallow exploration of the issues facing trans, nonbinary and gender-nonconforming individuals. It’s more like box-checking. We never hear, for example, what it’s like for 12-year-old Rock to come out as nonbinary at school, or to face the disappointment of their heteronormative parents. 

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Euphoria digs deep into the gender and sexual identities of its characters. 

HBO

Habie notes that neither the original Sex and the City nor the reboot depicts the gender and sexuality spectrum, which spans a multitude of identities and orientations. And Just Like That tries to step out of its antiquated boy/girl divide by simply adding the “other” label. “Now you have your triangle — you have one more option,” Habie said. Case in point: Che’s podcast is called X, Y and Me.

Younger generations truly get the idea of spectrum in a way that some older folks don’t, according to Habie. Youth have been exposed to a flood of sexualized content, and though not all of it is sex-positive or authentic, it’s far from the buttoned-up social norms that shaped pop culture before the sexual revolution. Plus, they have access to modern, science-based books about sexuality, like Emily Nagoski’s , which recognizes the wide range of women’s tendencies and preferences.

Young people are also sharing more about their sexuality publicly, giving us a glimpse into their lives that’s made its way to popular television. , a show about teenagers dealing with drug addiction, sexual abuse and trauma, has a complexity and expansiveness other shows don’t, said Habie. The young characters are represented as unique individuals who just happen to be on journeys exploring their sexual and gender identities — they aren’t unique solely because of their sexual and gender identities.

Hardy appreciates  not only because the teenage characters are empowered to make adult sexual decisions — the show also emphasizes accurate and sensitive education as the key to sexual happiness. “Sex isn’t treated as a bargaining chip or a status marker; it’s shown as a way to give and receive touch, affection and pleasure,” Hardy said in an email. And the show “does not judge anybody’s kinks or orientations.”

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Sex Education has a lot of sex and a lot of education. 

Netflix

The best sex of our lives

Miranda’s sexual storyline in And Just Like That is the most authentic, and the most deserving of more depth. Her relationship with Che is a catalyst for a journey of self-discovery that involves coming to terms with stasis in her marriage. At 55, Miranda realizes she’s given up a part of herself, including her own sexual agency. 

The struggle to maintain desire in long-term relationships is real. It’s a topic addressed by Jacobs in his practice as well as by renowned psychotherapist . “The challenge for modern couples lies in reconciling the need for what’s safe and predictable with the wish to pursue what’s exciting, mysterious and awe-inspiring,” Perel writes in . Miranda couldn’t find passion inside her monogamous relationship, and maybe she didn’t want to. 

But the show only glosses over these common challenges. As a result, instead of empathizing with Miranda’s choice to pursue her own happiness, viewers have bemoaned that her husband Steve was left in the dust — even earning the beloved character hashtag. Though the show acknowledges the existence of open marriages, the final episode follows a conventional template: a powerful sexual awakening is reduced to an affair, and the primary relationship terminates in divorce. 

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Che initially assumes Miranda is in an open marriage, but it’s never discussed as an option. 

HBO

Still, the finale reveals how the three main characters are open to embracing change. “The future is unwritten,” Carrie says on her podcast, as she transcends her grief to find romance as a widow. Charlotte learns to accept Rock’s determination to be unlabeled, and Miranda allows herself to be vulnerable. Personal transformation at any age is a valid story that deserves to be told. 

In Habie’s view, if a show were to accurately address the sexuality of women in their 50s, it would focus on the role of psychological arousal — things like masturbation, role playing and fantasy, which become more pivotal as women age and their hormones change. “Good sex is about expansiveness, discovery and curiosity,” she said. Older women often go through a second puberty as they tap into their eroticism, leading many to the best sex of their lives. 

It would be good for youth to see how sex changes as we mature, just like it’s good for their parents’ generation to learn how attitudes about gender, sexuality and relationships are evolving. Until we have more genuine stories being told, the younger generation is leading the way. Said Hardy, “I’m really looking forward to seeing the kind of world they create.” 

These Simple NFT Stick Figures Are Selling for $13K. Here’s Why

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An mfer.

OpenSea

NFTs are confounding at the best of times, as people spending five figures on profile picture art is never easy to comprehend. Still, most successful nonfungible token collections have a coherent logic to them. The crypto-rich drop six figures on because it has historical value as the first ever NFT collection. They spend even more on because it’s become a brand big enough for the likes of and to work with. But even if you consider yourself open-minded when it comes to NFTs, you may have a hard time accepting “.”

Like the popular collections mentioned above, mfers is a set of roughly 10,000 NFTs (10,021 to be precise). Each artwork in the collection is a stick figure wearing headphones typing on an out-of-frame keyboard. Since launching on Nov. 30, over $110 million worth of mfers have been bought and sold by NFT traders, more than most Hollywood movies make in box office sales. 

If you want to get your hands on one, the cheapest mfer listed on NFT marketplace OpenSea is 3.97 ether. That’s a few bucks short of $14,000.

Even when you factor in the — dropping 3 ether on a funny jpeg is easier if you bought ether at $40 instead of $4,000 — the success of mfers is unusual. Dozens of NFT projects are launched every day. Many are scams, more are money grabs and most of the ones attempting to be legitimate fail quickly. A tiny fraction reach the heights mfers has achieved in the past four months. It’s ranked 44 on OpenSea’s chart for all-time volume.

And it’s preposterous. Mfers is everything people hate about NFTs: simple art being sold for insultingly high prices. Like many success stories in the cryptosphere, however, it’s more complicated. 

Underlying mfers’ meme art is, hilariously, an argument about intellectual property. It’s one of a few “” NFT collections, which means it’s in the public domain. Its creator doesn’t own the imagery, and people are free to use the mfer brand for whatever they choose. The idea is that mfer owners will profit if the mfer brand grows, even if no one owns the copyright for it. In essence, it’s an experiment to see if it’s possible to completely crowdsource brand building. 

A collection of mfer artwork as seen on NFT marketplace OpenSeaA collection of mfer artwork as seen on NFT marketplace OpenSea

There are 10,021 mfers, each with slightly different traits. Here are 10 of them as seen on NFT marketplace OpenSea. 

OpenSea

The collection was created by a popular personality who goes by Sartoshi, an amalgamation of “art” and Bitcoin founder Satoshi Nakamoto. It was inspired by the  meme, which according to Know Your Meme centers on a dad walking in on his son playing a VR hentai Porn latina game. Sartoshi drew a stick-figure slouched on a desk chair, cigarette dangling from its mouth as he taps away on a keyboard, in the same style as the meme. Before it was an NFT collection, he used it as his profile picture on Twitter, where he now has over 160,000 followers.

“I do some painting and ‘real’ art myself and the idea was never to make a Mona Lisa here,” Sartoshi told me via Twitter DMs. Like most people in the Web3 world, he asked to stay anonymous. “The idea was to make a cool sketch-feeling NFT that people could identify with… and to free the copyright over the art to see what the universe decided to do with it.”

The collection dripped with internet meme culture from the beginning. Launching on Nov. 30, the public sale began at 4:20 p.m. with a price set to 0.069 ether ($230) per mfer. All 10,000 sold out instantly thanks in large part to Sartoshi’s following.

As commonly happens in the NFT market though, mfers had a day or two in the spotlight and then faded away as that shine moved on to the next attention-grabbing project. By the end of December, sales slowed down and the floor price (the cheapest someone had listed on the marketplace) fell to 0.05 ether, below the public sale price. Mfers began to recover in January and then exploded in February. Once momentum started to build — NFT collections largely sell based on hype, so momentum is particularly powerful — buyers flocked in, pushing the floor price as high as 6 ether ($18,000). Like all collections, mfers have different traits that make some rarer than others: One trader dropped 80 ether, a whopping $270,000, on . 

The floor price has since balanced out at between 2.5 and 4 ether. That doesn’t yet make mfers a “blue chip” NFT, which typically refers to a handful of collections that can sustain a floor price of over 10 ether, but it does make mfers significantly more successful than 99% of collections. 

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Sartoshi thinks mfers was able to stand out by eschewing the hype that accompanies most NFT launches. With stick-figure drawings, no one could pretend that the art was revolutionary, as many NFT creators breathlessly claim their collection’s art to be.  

“Most NFT collections have art that is quite basic,” Sartoshi said, “but all these people spend money on them and all of a sudden they’re falling over at their desk saying, ‘omg the art is amazing.” I always joked that a lot of it is basically cereal box characters.”

As with , the silliness of it all was a major appeal, spreading through NFT circles like a good meme goes viral on Twitter. Yet the success of the collection can equally be chalked up to its approach to intellectual property — a sentence that feels absurd to write. That Sartoshi made mfers a public domain collection makes it unusual. Some creators, like CryptoPunks’ Larva Labs, reserve the rights to all of the collection’s IP. Others, like Bored Ape Yacht Club’s Yuga Labs, give rights only to owners, and even then only to the specific NFT they own. (Yuga Labs last month bought CryptoPunks from Larva Labs and said it will extend the same copyrights to CryptoPunks holders as the ones afforded to Bored Ape Yacht Club owners. That one company could buy the IP for another NFT collection is another argument some make in the favor of CC0 collections like mfers, which can’t be purchased in the same way.) 

“Instead of just the rails that the NFTs run on being decentralized, you extend that to the NFT,” explains Giancarlo Chuax, a former stock analyst who now runs a YouTube channel analyzing NFTs. “Compare that to a Bored Ape Yacht Club, where you have a centralized figure that controls the brand. CC0 [public domain] projects don’t have that. Anybody can take the brand in any direction they want, and some feel that’s truer to what the internet is about.” 

In an industry where people really care about decentralization, it’s an idea that mfers have clung to — even if they acknowledge, as a few did during a Twitter Spaces I was invited to join, that it may end in chaotic failure. 

Sartoshi has taken a completely hands-off approach, endorsing the community from afar rather than actively participating, much less leading it. Holders of mfers have busily set out to build the brand, often using their 9-to-5 skills to do so. Several have designed and produced merchandise. One of the community mods, MasterChanX, runs MferRadio, an online radio station that among other programming hosts a Shark Tank-style show appraising ideas for mfers derivative collections like . One holder, Richard Chiu, has experience acting and producing in Hollywood — and so is creating an mfer movie. Someone even paid out of their pocket to put mfers in Times Square. 

“The statistical odds [of success] are higher when you have unlimited creation happening,” one holder said to me. 

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A teaser trailer for an mfer movie.

Twitter/mfers studios

As frivolous as mfers looks, Chaux says collections like it could significantly change how people consider intellectual property. “The idea of something coming from the ground up, bubbling up organically without the traditional incentive of owning the copyright to that imagery, [would be] pretty revolutionary,” argues Chaux. “There are some interesting examples that have done well, Cryptoadz, Nouns, mfers, but they’re all fairly new. This experiment at most is a few months old.”

Sartoshi has himself speculated that the combination of NFT technology and public domain IP could be powerful, but to him that’s not the main appeal of mfers.

“What’s the utility? Well, you can build whatever you want with them. But at the same time I’d also ask what’s the utility of a Mickey Mantle rookie card?” he said, referencing a baseball card . 

“Answer: They are fucking sweet. I think some might also say mfers are pretty fucking sweet.”